What Makes the Nia Technique a Unique Class?

In my last post, I wrote about what I felt was at the Heart of Nia--when you peel away all the other important stuff...what keeps Nia alive.

 This week, I'd like to discuss what I feel makes a Nia class unique. How did I come up with the list. Well I asked myself...if you took this out of Nia, would it still be Nia? For example...dancing barefoot. Nia was designed to be done barefoot. However, wearing shoes doesn't detract from the what Nia is. It's possible to enjoy Nia in shoes.

So here's my brief list. I feel because of these components, Nia is the uniquely beautiful and incredibly effective experience that she is:

1)  Relationship to the Music- Nia music is sensational! A variety of music inspires a variety of body movements, emotional gestures and overall body conditioning. So in Nia, we listen to the music, we let the music and the artist tell us their story, and we dance our interpretation of it. Nia music that comes from Nia headquarters is personally selected and compiled just for Nia teachers.

 2) Ongoing Study of the Technique- Yup, it's named "The Nia Technique" for a reason. Nia is a body of work that can be studied, in depth, for conditioning and personal-growth. In Nia, there are 13 principles for each belt level. The first belt is the White Belt, focusing on exploring and discovering our physical body. We have a total of 4 belt levels to progress through, each building upon the other's foundation.  The 13 principles gives us direction, focus and a place to grow in our relationship with our body, mind, emotions and spirit. Among the Principles of the White Belt are Nia's 52 moves. Specifically chosen from dance, martial arts and the healing arts, they gives us a vocabulary of movement which to study, honor and condition our body. Though there are correct ways to do the 52 moves, the important thing is to honor that you are practicing these moves and developing your skill.

3) Class Format-Seven Cycles of a Nia Class--doesn't really sound too exciting..but blending through the seven cycles is what sets the stage for the magic to take place.  Nia is an effective body-mind movement class because of the cycles guide us through a class. The cycles most unique to a group exercise experience are: Cycle 1: Setting our focus and intention (what we want to work on and how we want to feel when we leave class) and Cycle 2: Stepping In- consciously leaving distractions behind and becoming present.  Cycle 6, toward the end of class, is Floorplay. This is unique because that's exactly what we do...we play on the floor, with the floor and with gravity.  Who needs "floor work" when you can have floorplay!

4)  Freedance- So your following along with the choreography and all of a sudden the teachers says "Okay, this part is  a freedance". YIKES what's that??? It's easy! Freedance is "anything goes movement-wise".  And once ya let go a litte, quiet the mind a bit, it's really a very fun and effective way to express yourself and move the way your body wants. In freedance, you can reclaim your own natural movements as you enjoy the music.

 Next week, I'll discuss what makes Nia so effective and unique at conditioning the body. Till then...Dance on, Live on!!

With love, Jill P.

 

Thank you for a wonderful

Thank you for a wonderful website devoted to Nia.

Appreciate the All Things Nia section with great references and
videos. The blogs are interesting and very helpful.

Just a short note from a student of Nia to thank you for a very
informative site. Wish I lived closer to your studio !
Best wishes,

Jahra

And thank you!

Thanks for the kind words! We don't get a lot of feedback from Internet viewers. It's great to hear that you found our site useful. Thanks for taking the time to let us know. Much appreciated.

It IS too bad you live too far away to visit. We'd love to have you come Nia with us! You sure you're too far away?

One last question, anything you were looking for that you didn't find on our site? I'm always looking for suggestions for topics to add to the site.

? What to include when keeping a Nia Dance Journal

Hi Jill,

One topic I would like to submit is the
concept of keeping a Nia Dance Journal.

Do you have an outline of what we should include?
In my personal journey in Nia , I would like to
track the growth and experiences in the dance.
Would love to hear suggestions from you and
the other dancers on this topic.

Thanks,

Jahra

(To answer your question, I am in the Northeast .)

Nia Dance Journal

Hi Jahra,
What a great question. Thankyou for submitting. In the past I have kept a Nia Journal as a teacher. The journal has included what my focus/intent was for the class, for myself, what routine I used, any pearls that registered particularly well with students. I may also include notes on if I am working with the students on anything specifically during floorplay, for example: hamstring flexibilty.
The purpose of the journal for me it to track what I've been focusing on and to work towards creating a stronger lesson plan that helps me develop a well-rounded Nia program for the students.

As for a personal lesson plan, I have seen a Nia handout that asked questions on what students wanted to focus on, what some of their goals were and areas they wanted to improve. I'd be happy to dig that up for you if that sounds appealing.

Thanks again for the comment. I'd love to her from other teachers as well.

Jill, Niadiva

Nia Dance Journal

Thanks for the reply Jill. If the Nia handout is available,
would love to get a copy. I have some journal focus
questions from the Nia book, and wanted to expand the
topic collection as it will be an ongoing journal.

So welcoming any ideas for keeping a Nia Dance Journal.

Thanks!!

Class Format-Seven Cycles of a Nia Class

Hi Jill,

I'm a Greenwood student...nice web site Divas! Always thirsting for more on Nia, reading some of your posts, but this item confused me (did I miss something?). In the paragraph, Class Format-Seven Cycles of a Nia Class, you refer to setting focus (1), stepping in (2), and floor play (6). What are you referring to as the other cycles?

Thanks.

The Seven Cycles of a Nia Class

Hi Lynn, Thank you for your kind words and also your inquiry into the Seven Cycles. In my post, I pointed out which cycles of a Nia class I felt helped Nia stand apart from traditional fitness. Let me fill in the other cycles, to provide a more well-rounded picture of a Nia class.

The Seven Cycles of a Nia Class:
Cycle One: Setting our focus and intent. This is in the first 5 minutes of class when the teachers talks about "what" we are going to focus on and "how" we want to feel by this focus (the intent).

Cycle Two: Stepping in is consciously leaving behind distraction to become more aware of your body's sensations. An example of "stepping in" may be to mindfully take two steps forward, prior to beginning the warmup.

Cycle Three: Warm Up. In this cycle, we begin to activate the 13 joints in a fluid, conscious way so we increase the body's temperature and prepare the musculoskeletal system for more vigorous activity.

Cycle Four: Get Moving. In this cycle, you'll notice a more active portion of the class where we may move with a fuller range of motion, various speeds, or adding kicks. This is where cardiovascular conditioning peaks.

Cycle Five: Cool Down. Shift and slow down to center, balance and harmonize your body, mind, emotions and spirit. Physically the heart rate is slowing down enough to safely come down to the floor.

Cycle Six: Floorplay. Fun on the floor. This is where we'll play with gravity using the floor to condition our body. May include any of the 5 sensations: flexibility, strength, mobility, agility and stability. A good time to take advantage of the heat and pliability you have generated from the previous cycles.

Cycle Seven: Step Out. Taking the time to receive. Receive the benefits of your choices and actions from the class. Step out of class, and yet take with you all you've gained into your next activity.

If there are any other questions we can answer, please feel free to post!

Keep dancin'
Jill

Thanks!

Thanks Jill...I love the details....

Thanks for coming to our class tonight...that was me dancing behind you!

Lynn

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